A fluke,
pure luck. If Sonia had planned this photo, had framed it, metered it, the
image could not have turned out better. It had been taken by a serendipitous and
unfamiliar version of herself : Curious Sonia, Artistic Sonia. Romantic
Sonia. That was one of its small miracles.
An evening
in a Tuscan village. Two lamps, one above the other - the nearest, a white hot
flare against the sky. The other, honey warm like a lover’s secret, hangs from
delicate wrought iron drawing the eye to a corner where a steep lane
bends to the right. Stone walls in terracotta hues glow in the lamplight and
fade to shadow. Even now, Sonia can still feel the rough surface of the alley
walls radiating the stored warmth of an Italian summer day. In some places the
walls narrowed to the width of her outstretched arms, and as she walked she
could brush the stone with fingers of both hands as people had done for hundreds
of years before. There’s a single
window, like a closed eye, in the wall of a house, as if the village was devoid
of life. Yet out of shot, she can picture the old woman in black sitting at her
open window overlooking the piazza, watching the activity, silent and
inscrutable.
A concert event
was being set up as Sonia took the photo.
Rows of white folding chairs were lined up on uneven cobbles, a rickety
scaffolding built as a stage for the orchestra. The bustle was nothing to do
with her. She relished being able to turn her back on it and focus only on the
photo opportunity.
Yet even as she
marvels at the image, she acknowledges the metaphor, the cliché. Framing tiled
roof peaks, beyond the mystery of the unknown path before her, the evening-blue
ridge line of the distant hills, as familiar to her as the Taieri and
the Maungatua, calls her home. She resists, strains against it. What did she
expect, Sonia wonders? That she could
leave life behind unreservedly? Beyond this village that was like nowhere she
had ever been, as real as the hills, was life waiting to be resumed. Not yet,
not yet. For now, there was only this
fluke, this pure luck.
Rosemary
McBryde
No comments:
Post a Comment